Yorkshire Trip & a Half-Plate Camera

Taking the opportunity to stay a few days at Skipton this week, I packed the VW Camper with my “new” 1900s Hora bellows camera and basic dark-room gear and headed into the countryside – enjoying the challenges of photographing in the snow.

VW Camper Darkroom (1 of 2) vw-camper-darkroom-2-of-2.jpg

With such bright – but high contrast scenes it was always going to be a challenge to get any kind of image on the paper negative. Even with the paper at ISO 6,  F45 still only have me a 2 to 4 second shutter speed. So I used the Thornton Pickard shutter with the “time” setting and held it open with an air bulb for a count of up to 4 seconds.IMG_4530 IMG_1603

Photographing waterfalls was a similarly challenging exercise – again a high contrast subject. This time the light level was lower allowing for a longer, and hence proportionally more accurate timing of the, exposure.

IMG_6419

Here was a good place to compare the two lens types I now have. A wide angle 5inch ? F6.4-22 Apem Asymmetrical and a standard 8 inch F8-45 Beck Symmetrical.IMG_1559  IMG_8844

I am very happy with the images from both of these lenses though the wide angle image was over-exposed – only working with a 2 second exposure at f22. I had pre-flashed the paper negatives before setting out on this trip and am happy to report a much improved dynamic range as a result.

I think the images are really atmospheric – they draw you in to explore, to see and discern detail. The hyper-reality, hyper-clarity of many modern digital images leaves no mystery – you see the image and quickly forget it. But an image that you have to work with a bit lingers more in the memory and invites you to fill in the hidden/un-revealed detail. You finish the story of the image – so you have an investment in the image – start to form a relationship with the image- the subject – the photographer.

 

 

 

 

Published by Oldparson.art

A dedicated photographer of the environment, weather, landscape and its inhabitants, I have assembled a collection of awe-inspiring images for this exhibition. Many in colour, but a number in black & white - a medium which suits my love of the dramatic in photography. Starting from these photographs, I have produced linocuts and woodcuts as well as sculptures in wood. Each of these inspired by what is seen on my many walks in the region and beyond. A passionate experimenter, I am enjoying working with antique cameras and alternative photographic processes to make images that are more about conveying feeling, emotion, memory than they are about being a pixel perfect record of a moment in in time.

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