On a snowy day, staying at home was the warmer option and gave me a chance to apply what I have learned about exposure for this camera to still life. Being a snowy day the light coming in from the window was nice and flat. Working close-up meant the camera was extended almost to its limit. After a few trial exposures with the paper negatives, I settled on a 4 minute exposure at f18 for these three images (paper negatives scanned, inverted and flipped in Photoshop).
But I have to admit to preferring the images as they come on the paper negatives seen in teh second set of images.
On the frosty Mendip Hills this morning, I used the vintage Thornton Pickard camera to take some silhouette images of trees. Building on yesterday’s success with metering I managed 6 good exposures, despite the camera’s challenges including:
Lens aperture adjustment seizing in the cold
Shutter cord getting trapped during exposure.
Images below are scans of the original paper negatives and photoshop’s rendition of the positive of the scans. Tomorrow I will do some contact prints.
Very pleased with exposure of paper negatives today. (Images here have been inverted in photoshop from a scan of the paper negatives)
Using ISO 6 and metering off an 18% grey card on a bright sunny afternoon, I achieved perfect exposure for my driftwood photos. F64 at 4seconds.
I forgot to turn the plate holder around when photographing the lighthouse in close-up so had a double exposure – I’ll have to go back and try again.
The first image of the afternoon I took was metered on the assumption the paper was
ISO 25 so was under exposed. But now I do feel I understand what I am doing.
It helped that I was able to set up a mini darkroom in my VW T5 Camper – with the curtains drawn and working in the cupboard with a safelight powered off an inverter connected to the leisure battery – I was able to develop a few paper negatives to check I was getting the exposure correct and then go back and take these images with a bit more confidence in the metering.
Metering was done on my iphone using the app “Lux”.
My Boots branded 100 year old Thornton Pickard camera has a new addition – a mechanical shutter. This allows me to shoot at speeds under 1 second. With these faster speeds I can use 200 ISO sheet film instead of the much slower photo paper.
To measure the speed of this shutter, I fixed it in front of my digital fuji XT20. I set the Fuji on a 5 second exposure on f8 (as wide as the old camera goes). This gave me time after pressing the Fuji shutter to then trigger the old shutter.
I then viewed the histogram of the image taken – which was of course, at the speed of the old shutter.
I then moved the old shutter out of the way and took a few images on the Fuji adjusting the shutter speed until I found a speed that gave me a similar histogram to that obtained with the old shutter. This turned out to be a useful 1/30s.
The speed of the old shutter can be changed – but it is a bit of a fiddle.
I now have some 7″x5″ sheet film for the antique Thornton Pickard (Boots) bellows camera. Unfortunately the film/plate holders are slightly less than 7″x5″ so in complete darkness, using masking tape stuck to the bed of the guillotine as guides, I trimmed down the film to fit. What you see here is my third day’s experiments – Day one produced under-exposed images, day two over-exposed and today – just right (mostly). Setting up the still life by the kitchen window, I took light readings off each piece of fruit and the black paper backgroud – yielding recommended exposure times ranging from 4 to 30s at F32. As the 30s was for the black background I went for a 20s exposure and was very happy with the result. I used the same settings for my portrait shot.
Contact prints were made, experimenting with exposure here too. I am exposing using a flashgun held 45cm above the paper. The flashgun has a controllable intensity. – level 4 seems optimum – but doesn’t give quite the contrast I hoped for – I have ordered some filters on ebay to make the flashgun light more magenta as I have read this increases contrast – we’ll find out when they arrive.
One problem was the film/plate holders are old and fragile and some wood splintered off – the pieces that make them light-tight. So I had to make (using some mahogany veneer) replacement pieces.
The other problem I have encountered with these film holders is that the metal plates that sit in the middle separating the two pieces of film have springy pieces in the middle and these scratch the film and they don’t fit too well either. I am replacing these with stiff black paper and we’ll see how they perform.
My Day two efforts were outside – around Glastonbury – Godney. The light was too bright and I had to deal with exposure times of only half a second with this ISO 200 film even on F64. It wasn’t possible to accurately judge taking off and replacing the lens cap in these circumstances – though I did try. I have sourced on Ebay a shutter mechanism that will fit on the front of the lens allowing me to make theses shorter exposure times. Something to play with over Christmas 🙂
Having the chemicals and photo paper to hand, I thought I’d try a coffee-tin pinhole camera. I drilled a 2mm hole into the tin and sanded the inside of the tin to remove the burr. I had read a perfect hole is needed for the best images. I lined the inside of the tin with black paper and cut some photo paper to fit inside.
I found that my camera has an f stop of 35. Using my iPhone’s Lux app to measure the exposure on the basis that the photo paper is ISO6 I got an exposure time of 10 seconds. My results have encouraged me to explore this further.
The iphone Lux app reading indicated F2.8 Iso 6 for 15s. In fact 2.25 mins was needed.
This needs investigation.
Interesting that since the paper negative is not sensitive to red light that the oranges in the RH image showed up as so dark. Still some work to do on focussing – though with such wide aperture the depth of field is going to be very shallow.